Selecting the right bass drumhead determines whether your kick drum delivers the punchy attack you need for rock, or the warm resonance that’s perfect for jazz. The bass drum serves as the foundation of your kit, and the heads you choose shape everything, from tone and projection, to durability and how well your sound sits in a mix. There are a lot of different bass drumheads available to buy, and making the right purchase is crucial for achieving your desired sound.
This guide covers the essential factors drummers need to evaluate when upgrading or setting up their bass drum, from understanding ply construction and thickness to matching heads with specific genres and playing styles. Whether you’re a beginner assembling your first kit or an intermediate player looking to refine your sound, you’ll find practical guidance to help you decide and make an informed decision. Choosing a drumhead can be can be a frustrating, time-consuming experience for many drummers, and this guide will help make the process easier.
By the end of this article, you will:
- Understand how single-ply and double-ply construction affect tone and durability
- Know which bass drum heads work best for specific musical genres
- Evaluate dampening options for controlled sound without sacrificing character
- Select an appropriate thickness based on your playing intensity
- Identify quality EVANS models that match your needs and budget
- Get help if you are interested in refining your sound for future needs
Understanding Plies, Thickness, and Materials
Bass drumhead tone and feel come down to plies and thickness (measured in mil). Single ply heads sound brighter and more open, while multi-ply heads sound deeper, more controlled, and are more durable. Front heads (or “reso heads”) are generally thinner to fully allow the drum to vibrate.
- Single-ply (≈10 mil): Open, resonant, and sensitive, making it great for lighter styles like jazz. Single-ply heads offer maximum resonance and a brighter sound.
- Double-ply (≈14 mil total): Punchy, controlled, and durable. These heads are ideal for rock, pop, and heavy hitters. Double-ply batter heads usually consist of two 7-mil layers, offering a deeper, more controlled sound, as well as the durability heavy-hitting players need.
- Thicker heads: These feature more low-end and shorter sustain.
- Built-in damping (rings or oil): This reduces overtones and adds a more focused low-end.
For example, a single-ply head like the G1 offers more resonance, while a double-ply head such as the G2 provides greater control and durability.
In short: thinner heads = more tone and sustain, while thicker heads = more control and durability.
Bass Drumhead Types and Sound Characteristics
Batter vs. Resonant Bass Drumheads
The batter head (front surface where the beater strikes) handles the primary impact, and determines much of your attack character. Batter heads are designed to be struck, and come in different styles depending on the desired sound. The construction, ply count, coating, and built-in dampening all directly affect punch, response, and how long the head lasts under regular playing. Note: snare drum heads (especially snare-side heads) are not suitable for use as bass drum batter heads due to the different hoop constructions.
The resonant head (audience-facing front side, not struck) influences sustain, low-end projection, and overall tonal resonance. Resonant heads vibrate in response to the batter head being struck and are usually thinner and lighter than batter heads. Resonant heads are single-ply (around 7-10 mil), and may include port holes for microphone placement. Many drummers overlook this head, but it’s important, as it interacts with the batter through shell acoustics to create your complete bass drum sound.
When both heads work together properly, you get a balanced combination of attack from the batter side, and projection from the resonant side. A resonant head tuned slightly higher than the batter head creates clearer overtones and a more focused sound. Now that you understand the basic construction principles, let’s examine how different head types translate those properties into distinct sounds you can hear and feel.